Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Here are all the paintings of William Turner 06

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
43313 The Fighting Temeraire Tugged to Her Last Berth to be Broken Up William Turner The Fighting Temeraire Tugged to Her Last Berth to be Broken Up mk170 1838 before 1839 Oil on canvas 90.8x121.9cm
75012 The Fighting Temeraire tugged to her last Berth to be broken up William Turner The Fighting Temeraire tugged to her last Berth to be broken up 1838(1838) Oil on canvas 91 X 122 cm (35.83 X 48.03 in) cjr
61215 The fighting Temeraire tugged to her last berth to be broken up, William Turner The fighting Temeraire tugged to her last berth to be broken up, The fighting Temeraire tugged to her last berth to be broken up, painted 1839.
55119 The girl wearing the skirt William Turner The girl wearing the skirt mk239 1918 25.1x40.8cm
41351 THe Grand Canal William Turner THe Grand Canal mk161 Oil on canvas
90970 The Grand Canal - Scene - A Street In Venice William Turner The Grand Canal - Scene - A Street In Venice 1837(1837) Medium oil on canvas Dimensions 148 x 111 cm (58.3 x 43.7 in) cyf
55017 The grave William Turner The grave mk239 1909 Oil on canvas 71.5x98cm
54895 The Gril Read to the boy William Turner The Gril Read to the boy mk238 1832 Watercolour 13.8x18.9cm
31833 The harbor of dieppe William Turner The harbor of dieppe mk76 Dated 1826 Oil on canvas 68 3/8x88 3/4in
52755 The Lake William Turner The Lake mk223 Oil on canvas
54827 The morning William Turner The morning mk238 1798 Oil on canvas 123x89.7cm
24479 The passage of Mount St.Gothard,taken from the centre of the Teufels Broch Switzerland (mk31) William Turner The passage of Mount St.Gothard,taken from the centre of the Teufels Broch Switzerland (mk31) 1804 Watercolour 98.5x68.5cm
3222 The Passage of the St.Gothard William Turner The Passage of the St.Gothard 1804 Abbot Hall Art Gallery, Kendal, Cumbria
55086 The picture with White line William Turner The picture with White line mk239 1913 Watercolour
89159 The Ponte Delle Torri, Spoleto William Turner The Ponte Delle Torri, Spoleto c. 1840(1840) Medium oil on canvas Dimensions Height: 914 cm (359.8 in). Width: 1,219 cm (479.9 in). cjr
24487 The Righting (Temeraire),tugged to her last berth to be broken up (mk31) William Turner The Righting (Temeraire),tugged to her last berth to be broken up (mk31) 1838 Oil on canvas 91x122cm
21774 The Saint Gotthard Pass (mk10) William Turner The Saint Gotthard Pass (mk10) Around 1803-1804 Oil on canvas 80.6 x 64.2 cm Birmingham,City Museum and Art Gallery
55136 The shape of black William Turner The shape of black mk239 1923 Oil on canvas 110x97cm
24462 The Shipwreck (mk31) William Turner The Shipwreck (mk31) 1805 Oil on canvas 170.5x241.5cm
61216 The shipwreck of the Minotaur, William Turner The shipwreck of the Minotaur, The shipwreck of the Minotaur, oil on canvas.
3233 The Slave Ship William Turner The Slave Ship 1840 National Gallery, London
42758 The slave ship William Turner The slave ship MK169 1840 Oileverf on cloth 90.8x122.6cm Museum or Finn Physician. Boston
21769 The Slave Ship (mk10) William Turner The Slave Ship (mk10) 1840 Oil on canvas 91.5 x 122 cm Boston,Museum of Fine Arts Henry Lillie Pierce Fund
24493 The Sun of Venice going to sea (mk31) William Turner The Sun of Venice going to sea (mk31) 1843 Oil on canvas 61.5x92cm
54856 The supper after harvest William Turner The supper after harvest mk238 1809 Oil on canvas 90.2x121cm
89140 The Thames above Waterloo Bridge William Turner The Thames above Waterloo Bridge c. 1830(1830) Medium oil on canvas Dimensions Height: 905 cm (356.3 in). Width: 121 cm (47.6 in). cjr
89139 The Thames near Walton Bridges William Turner The Thames near Walton Bridges 1805(1805) Medium oil on mahogany Dimensions Height: 371 cm (146.1 in). Width: 737 cm (290.2 in). cjr
54918 The town William Turner The town mk238 1828 Watercolour 14x18.6cm
54834 The tree at the edge of lake William Turner The tree at the edge of lake mk238 1800 Oil on canvas 39.1x60.6cm
55135 The triangle with black William Turner The triangle with black mk239 1923 Watercolour 30.8x40.5cm
55027 The view with stock William Turner The view with stock mk239 1909 Oil on canvas 72.3x97.5cm
55075 The Watercolour with roses William Turner The Watercolour with roses mk239 1911-1912 Oil on canvas 48.3x63.5cm
54972 Theatre William Turner Theatre mk238 1833-1840 Watercolour 22.6x29.4cm
40685 THed Burning of the Houses of Lords and Commons,16 October,1834 William Turner THed Burning of the Houses of Lords and Commons,16 October,1834 mk156 c.1835 Oil on canvas 91x122cm
55186 Three arrowhead William Turner Three arrowhead mk239 1931
55069 Three knight William Turner Three knight mk239 1910-1911 Watercolour 25x32cm
55065 Three Wagon William Turner Three Wagon mk239 1911 Oil on canvas 70x100cm
54880 Tiwoli William Turner Tiwoli mk238 1819 watercolour 25.6x40.4cm
55026 Train William Turner Train mk239 1909 Oil on canvas 36x49cm
55013 Trees and houses William Turner Trees and houses mk239 1908 Oil on board 71.5x97.5cm
90187 Trees beside the River, with Bridge in the Middle Distance William Turner Trees beside the River, with Bridge in the Middle Distance c. 1806(1806) Medium oil on canvas Dimensions Height: 879 cm (346.1 in). Width: 1,206 cm (474.8 in). cjr
54928 Tunalu William Turner Tunalu mk238 1832 Watercolour 28.2x24cm
55138 Turn of the left William Turner Turn of the left mk239 1923 Watercolour 42.5x47.5cm
61221 Turner 1813 watercolour, Ivy Bridge William Turner Turner 1813 watercolour, Ivy Bridge Turner's 1813 watercolour, Ivy Bridge
55131 Two black William Turner Two black mk239 1923 Watercolour 47.5x32.7cm
54825 Two Fisher William Turner Two Fisher mk238 1796-1797 Watercolour 19.8x27.5cm
55195 Two part William Turner Two part mk239 1940 Oil on canvas 89x116cm
55156 Two sawtooth William Turner Two sawtooth mk239 1925 31.6x48.6cm
55164 Two sawtooth line William Turner Two sawtooth line mk239 1926 Watercolour 31.6x48.6cm
3218 Ulysses Deriding Polyphemus William Turner Ulysses Deriding Polyphemus 1829 National Gallery, London
92110 Ulysses deriding Polyphemus William Turner Ulysses deriding Polyphemus 1829(1829) Medium oil on canvas Dimensions 132.7 X 203 cm (52.2 X 79.9 in) cyf
55070 Under the sunlight William Turner Under the sunlight mk239 1911 30.6x40.3cm
24497 Undine giving the ring to Masaniello,fisherman of Naples (mk31) William Turner Undine giving the ring to Masaniello,fisherman of Naples (mk31) 1846 Oil on canva 79x79cm
43983 Undine Giving the Ring to Massaniello, Fisherman of Naples William Turner Undine Giving the Ring to Massaniello, Fisherman of Naples 1846 Oil on canvas, 79 x 79 cm
89692 Union of the Thames and Isis William Turner Union of the Thames and Isis oil on canvas Dimensions Height: 908 cm (357.5 in). Width: 1,213 cm (477.6 in). cjr
55150 Unstable William Turner Unstable mk239 1924 29.7x25.7cm
26145 UpnorCastle,Kent (mk47) William Turner UpnorCastle,Kent (mk47) 1831-32 Watercolour and bodycolour 290x437mm Whitworth Art Gallery. University of Manchester
43311 Uysses Deriding Polyphemus William Turner Uysses Deriding Polyphemus mk170 1829 Oil on canvas 132.7x203.2cm
90198 Venedig William Turner Venedig 2nd quarter of 19th century Medium oil on canvas Dimensions 91 x 122 cm cjr
3239 Venetian Festival William Turner Venetian Festival 1845 Tate Gallery, London
24485 Venice,from the Lagoon (mk31) William Turner Venice,from the Lagoon (mk31) 1840 Watercolour and pen 23x30.5cm
54884 Venus William Turner Venus mk238 1819 Watercolour 22.4x28.7cm
54977 Venus William Turner Venus mk238 1840 Watercolour 24.5x30.9cm
54932 View William Turner View mk238 1832 Watercolour 29x47cm
54945 View William Turner View mk238 1835-1840 Oil on canvas 94x123cm
55092 View and edge William Turner View and edge mk239 1913 Watercolour 27.6x38.1cm
21767 View of an Alpine Valley probably the Val d'Aosta (mk10) William Turner View of an Alpine Valley probably the Val d'Aosta (mk10) Watercolour Private collection
54830 Village William Turner Village mk238 1799 watercolour 19.5x27.2cm
54930 Village William Turner Village mk238 1832 Watercolour
54942 Village William Turner Village mk238 1836 24.2x29.8cm
55015 Village William Turner Village mk239 Oil on canvas
54871 Volcano erupt William Turner Volcano erupt mk238 1817 Watercolour 28.6x39.7cm
54872 Volcano erupt William Turner Volcano erupt mk238 1815 Oil on canvas 79.4x104.8cm
89744 Walton Reach William Turner Walton Reach c. 1807(1807) Medium Oil on canvas Dimensions 37 x 73,5 cm cjr
43980 War, the Exile and the Rock Limpet William Turner War, the Exile and the Rock Limpet 1842 Oil on canvas, 79,5 x 79,5 cm
54860 Warship William Turner Warship mk238 1809 Oil on canvas 91.4x124.5cm
54935 Warship William Turner Warship mk238 1833 Oil on canvas
54967 Warship William Turner Warship mk238 1850 Oil on canvas 89.9x120.3cm
55061 Watercolour William Turner Watercolour mk239 1910-1912 21.6x33cm
55073 Watercolour William Turner Watercolour mk239 1911-1912 40.2x65.2cm
55074 Watercolour William Turner Watercolour mk239 1911-1912 20.7x42.8cm
55102 Watercolour William Turner Watercolour mk239 1916 Watercolour 23x34.5cm
54818 Waterworks William Turner Waterworks mk238 1794-1795 watercolor 29.8x41.9cm
54970 Wedding William Turner Wedding mk238 1835 oil on canvas 91.4x121.9cm
55153 Weight during the light William Turner Weight during the light mk239 1924 Watercolour
24496 Whalers (mk31) William Turner Whalers (mk31) 1845 Oil on canvas 91xx22cm
24471 Whiby,Yorkshire (mk31) William Turner Whiby,Yorkshire (mk31) 1825-1830 Watercolour 15.9x24.8cm
55200 White line William Turner White line mk239 1936 49.9x38.7cm
26088 Wichwood Forest,Oxfordshire (mk47) William Turner Wichwood Forest,Oxfordshire (mk47) SPWC 1809 Watercolour 606x794mm Victoria & Albert Mueum,London
54886 Wind William Turner Wind mk238 1827 Oil on canvas 46.4x72.4cm
54888 Wind William Turner Wind mk238 1827 Oil on canvas
24473 Windsor Castle,Berkshire (mk31) William Turner Windsor Castle,Berkshire (mk31) 1827-1829 Watercolour 29x43cm
55066 Winter-s landscape William Turner Winter-s landscape mk239 1911 95.3x102.4cm
91514 Wohnsitz des Earl of Darlington William Turner Wohnsitz des Earl of Darlington 1818(1818) Medium oil on canvas Dimensions 119 x 180,6 cm cyf
54900 Woman in the black William Turner Woman in the black mk238 1832 Watercolour 19.5x13.8cm
55016 Woman in the street William Turner Woman in the street mk239 1908 Oil on canvas 70x95cm
54521 Yacht Approaching the Coast William Turner Yacht Approaching the Coast mk235 c.1838-1840 Oil on canvas
24488 Yacht approaching the coast (mk31) William Turner Yacht approaching the coast (mk31) Ca.1835-1840 Oil on canvas 102x142cm
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William Turner
English Romantic Painter, 1775-1851 Joseph Mallord William Turner (23 April 1775 ?C 19 December 1851) was an English Romantic landscape painter, watercolourist and printmaker, whose style is said to have laid the foundation for Impressionism. Although Turner was considered a controversial figure in his day, he is now regarded as the artist who elevated landscape painting to an eminence rivalling history painting. Turner's talent was recognised early in his life. Financial independence allowed Turner to innovate freely; his mature work is characterised by a chromatic palette and broadly applied atmospheric washes of paint. According to David Piper's The Illustrated History of Art, his later pictures were called "fantastic puzzles." However, Turner was still recognised as an artistic genius: the influential English art critic John Ruskin described Turner as the artist who could most "stirringly and truthfully measure the moods of Nature." (Piper 321) Suitable vehicles for Turner's imagination were to be found in the subjects of shipwrecks, fires (such as the burning of Parliament in 1834, an event which Turner rushed to witness first-hand, and which he transcribed in a series of watercolour sketches), natural catastrophes, and natural phenomena such as sunlight, storm, rain, and fog. He was fascinated by the violent power of the sea, as seen in Dawn after the Wreck (1840) and The Slave Ship (1840). Turner placed human beings in many of his paintings to indicate his affection for humanity on the one hand (note the frequent scenes of people drinking and merry-making or working in the foreground), but its vulnerability and vulgarity amid the 'sublime' nature of the world on the other hand. 'Sublime' here means awe-inspiring, savage grandeur, a natural world unmastered by man, evidence of the power of God - a theme that artists and poets were exploring in this period. The significance of light was to Turner the emanation of God's spirit and this was why he refined the subject matter of his later paintings by leaving out solid objects and detail, concentrating on the play of light on water, the radiance of skies and fires. Although these late paintings appear to be 'impressionistic' and therefore a forerunner of the French school, Turner was striving for expression of spirituality in the world, rather than responding primarily to optical phenomena. Rain, Steam and Speed - The Great Western Railway painted (1844).His early works, such as Tintern Abbey (1795), stayed true to the traditions of English landscape. However, in Hannibal Crossing the Alps (1812), an emphasis on the destructive power of nature had already come into play. His distinctive style of painting, in which he used watercolour technique with oil paints, created lightness, fluency, and ephemeral atmospheric effects. (Piper 321) One popular story about Turner, though it likely has little basis in reality, states that he even had himself "tied to the mast of a ship in order to experience the drama" of the elements during a storm at sea. In his later years he used oils ever more transparently, and turned to an evocation of almost pure light by use of shimmering colour. A prime example of his mature style can be seen in Rain, Steam and Speed - The Great Western Railway, where the objects are barely recognizable. The intensity of hue and interest in evanescent light not only placed Turner's work in the vanguard of English painting, but later exerted an influence upon art in France, as well; the Impressionists, particularly Claude Monet, carefully studied his techniques.
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